BilmBlog500

I'm scared by the full-throttle attack on public employee unions that's taking place in many of these United States rights now. Not unambivalently. Unions can stand for featherbedding, for archaic work rules, for stagnation. But they can also help individual employees to stand up to large corporations, to help raise living standards for their members. Bottom line, there's a reason why big corporations fight so hard to keep unions out, and it isn't because they're looking out for the little guy. And every bad thing you can say about unions, you can say sometimes about employers. If there are union heads living high on the hog off member dues, there are corporate CEOs doing the same. There are businesses that are staying wedded to old ways of doing things. I spent seven years working for Scott Meredith, who was in many ways the epitome of a bad boss. Public employee unions are a little bit more awkward for me, largely because most politicians of my acquaintance

A few items from the past week... HarperCollins is doing a "this tape will self-destruct" thing on its e-book library loan program, allowing 26 circulations per library purchase. Why? I figured this out before I read it officially. They feel this about matches the iifespan of a printed book in the typical library, and they don't wish to have an e-book purchase become an eternally available sort of thing when a print book truly can't be loaned forever before it falls apart. You can find a Library Journal article on the subject here , link courtesy of publishersmarketplace.com. I'm of mixed emotion on this. I don't think it's prima facie a heinous thing to do because businesses do need to adjust to changing business models, and the longevity of the product sold is enough of a concern that it's just kind of sitting there to be noticed and looked at. On the other hand, it pisses off customers. In the real world, libraries rarely would replace copie

11:37 having the presenter do all the encomia for the acting nominees instead of the array of past winners, well OK, not lime the thing they did the past few years is unalterable. But the Best Picture nominees are all lumped into one montage. The producers don't have their names read aloud and have to settle for just type on the screen. And even the Best Picture winers have to deal with music telling them time is too shirt. C'mon, broadcast somewhere around 3:15 you can let the winners for Best Picture have their say. 11:32 why Jurassic Park music of all the films Spielberg has directed 11:31 not in love with his acceptance speech. trying too hard. 11:25 Colin Firth was also great in A Single Man last year. 11:20 unless Jeff Bridges wins in a category that is almost certainly and deservedly going to Colin Firth, safe to say that True Grit is the evening's big loser. Lots of nominations, lots of bos office, no love from Oscar. I didn't like the movie all that muspch sav

A couple years ago I did some postings on technology and the agenting business, in the first one I talked about how the Scott Meredith Agency kept a lot of records on green index cards, called not very creatively "green cards." Alas, those were gotten rid of in the mid 1990s when the agency moved, doing some of these anniversary posts I think how wonderful it might be to look over some of the detailed histories on some of them. But they ain't around, we must move forward! One of my other earliest clients was a horror writer by the name of Ronald Kelly. I remember being held rapt by his "first" novel on the Shortline bus ride into Manhattan. It was then called "The Tobacco Barn." It ended up being published right around New Years, 1989 into '90, as Hindsight. It took rather a long time to sell, longer I would still think than it should have, before being taken by Wendy McCurdy, then at Kensington/Zebra, so even though Ronald was one of my ver

  It was 25 years ago today that I started at the Scott Meredith Literary Agency, and here's a glimpse at the hardcover cover of the very first book I sold, Mary's Grave by Malcolm McClintick. Scott Meredith had a reading fee service, and this novel was what was called a "send-up," a book that a fee reader liked enough to suggest it be taken on. The author had a story or two published in Hitchcock's, and this was the first in a series of novels featuring the George Kelso character who also appeared in some of the AHMM stories. The book was published quickly, in the first half of 1987, and subsequently appeared in paperback from Avon. The acquiring editor at Doubleday was Michelle Tempesta, the long-time editor of the Doubleday Crime Club, and at Avon the editor who took the first three Kelso books was Nancy Yost. When the Doubleday family sold Doubleday to Bertelsmann, the German conglomerate which had owned Bantam Books and which now owns the entire Random

All told I have visited around 80 of the Borders that are closing, adding two in Burlington and Peabody MA this past weekend.  Around 25,000 square feet, e average store that's closing.  Leave aside the drain represented by entire stores, each of those could have done it's business in 5000 fewer square feet, 5K x 200, and that's one million extra square feet floating around, and the troubling thing is that the 450 stores that remain open probably carry around another 2M spare tire around the belly, and the bankruptcy filing doesn't help that.  Start at the top, alphabetically by state, and the Anchorage store is as typical an example as any.  When I visited Anchorage in 2006, the Borders was disappointing. I had been to the amazing Waldenbooks in Wasilla, which had an amazing selection in an amazingly small space, kind of a captive audience, and then the BN in Anchorage which was selling books in jaw-dropping quantity. And then the Borders?  Well, it was just OK. It had

I got Red Robin #20 because it was crossing over from Teen Titans, and it was OK, just a basic Robin Needs Help Calls in Old Gang thing.  I go into the 80 Page Giants out of curiosity with low expectations, which were surpassed by Superman Giant 2011. Which means there weren't any stories that I entirely skipped, which happens often. These books are used a lot of times for apprentice work by newer talent, and not much you can do in ten pages when you grow up in a world where everything is a multi part epic. The veteran Cafu did the best art in Beau Tidwell's opener, which was a good job of telling a pointless backfill prequel to Superman The Movie which I haven't been holding my breath for. Worst fir me was a Bizarro story with art that looked like refugee work from a Plop story from 30 years ago.  DC Legacies was OK, not living down to either worst fears or up to best hopes as they move into retelling stories from my comics hiatus.  We save some of the best for last. DMZ 6

It is a good thing that DC is holding the line at $2.99, because something like Brightest Day seems just that little bit easier to indulge at that price than at 33% more. I am catching up on comics over the Boskone President's Day weekend and just did issues #17-20. #17 was half good with Firestorm and Deadman stuff that was interesting and the. Hawkman stuff that was not. #18 is almost all Hawkman with a little Deadman and may end (spoiler alert, but really, if you care about the series you read this issue a month ago unlike me) with Hawkman and Hawkgirl being dead, and does anyone really care?  Hawkwoman?  Cannot stay dead, even as a DCU backwater for most of his existence eventually the attorneys will need them revived for trademark purposes, but maybe we can hope not until 2015. Issues 19 and 20 have an Aquawar. Lots of fast page flipping in #19, some payoff in the followup issue.  I want more Firestorm in the final four issues, and at this point I think I can spend $11.96 or s

DC Comics recently reversed a decision to go to $3.99 pricing on some books, and all regular monthly titles are now $2.99.  Which is a good thing. Except that a couple of story pages were dropped. 20 pages is still more than the 17 I can remember a long time back, but not 22 or 23. But I am still doubly thrilled because at least one of the pages will be used to restore letter columns to the books.  I loved letter columns. Even had some published back in the day. We will see if they print good letters and bad, or if they use it to have some real dialogue, but just the idea of seeing them back thrills me no end. Even on a limited basis, pushing feedback and dialogue to your readers in the comic instead of having people pull it by visiting a forum or bulletin board or whatever is a welcome return to a better way of doing things. If the opening issues of the new Superboy series are all that can be good in comics, the first issue of threw Shazam is every bit the opposite. If you haven't

For general impressions of the closing Borders see my last post here  This will start some store specifics.  I believe that Borders #10 at the White Flint Mall in Kensington/Rockville MD and Borders #50 on 18th and L St in downtown Washington DC were in their prime two of the best bookstores in the entire country.  Store #10 was one of the first stores opened by the brothers Borders as they expanded across the US. It was the second Borders I ever visited, my late uncle Matthew dropping me off at the Bethesda Metro station with instructions on how to find my way there as I was heading home after from something or other. I loved it. It was exactly like the experience of visiting the original Borders, and I no longer had to go to Ann Arbor for it. I was upset they were not carrying Simon Green's Blue Moon Rising in it's original Roc edition. That store was in a small standalone retail building on Rockville Pike, subsequently filled with an Anthropologie and now vacant; the Border

As you can imagine, I spent a good chunk of time looking at the list of Borders that will be closing in the next six to ten weeks following the chain's bankruptcy filing this morning. I'll have more to say about some individual locations or other specifics, but a thing or two worth noting: First and most important, a store's fate didn't depend on sales alone. Which might be my biggest sadness about the list. My hope had been the Borders would close a third of its stores doing 20% of its business, but it just ain't so. The rent and square footage ended up saying as much about a store's profitability as the quantity of books it is selling. So here in New York City, there's a store in Glendale, Queens that is still remaining open, in a failed attempt at an upscale shopping mall. So failed that the shopping center itself was just sold at a bankruptcy auction. Hence, the Borders survives. Why? Well, along with the movie theatre the Borders is one of the f

First, let it be said that the episode of Glee after the Super Bowl was simply dreadful. I've watched some Glee, and it can achieve real heights. This contrived boring uninteresting filled-with-bad-musical-numbers of songs-nobody-would-care-about episode was nowhere near anything good. A shame. I saw three theatrical pieces in DC this past weekend. Black Watch is a play I've been wanting to see very badly. It played in New York a year-and-a-half or so ago to rave incredible reviews and multiple extensions. It's two week tour stop in DC at the Shakespeare Theatre was the main impetus for heading down. It wasn't quite like the Shakespeare-shaped cookie cutter in the gift shop wasn't more interesting than the play, but closer than I'd have expected considering the reviews, that's for sure. The Black Watch is a Scottish military regiment which dates back to the 1880s and which served in Afghanistan. This play is too many things and not enough of any of t

One of my clients was wondering what effect a Borders bankruptcy might have on major publishers. At least there, the answer is "not as big as you might think." Let us say Borders was 12% of the company's business, and that Borders was not paying for two of the biggest holiday months, so that this would be more like 1/3 of their annual billing with Borders than 1/6 of it. So that ends up being around 4% of your expected income where you've actually paid for and printed and shipped books and incurred all of those costs and you're stuck with the bill. Now, that's a big hit. A very big hit. It could take your expected profit and narrow or shrink it, maybe even put you into a loss situation for the year. But it's an absorbable hit, especially when you realize that most of the major publishers are part of huge international conglomerates with publishing operations in lots and lots of different countries. And this isn't the first time a major player in