BilmBlog500

For part two of my Elizabeth Moon musings, this is a good occasion to talk about the benefit of doing collaborative work. There are two approaches here. One is where you put an author on to a Star Wars or Halo novel, expecting to get the Star Wars or Halo audience to rub off. This NEVER works, in my opinion or experience. People who buy media novels, they might be readers but they're media readers. For the rare thing like when Tim Zahn launched the original Star Wars fiction line 18 years ago, it can be SO big that even a small percentage of carry over is SO big that it can make a visible small dent in the base of sales for a much smaller regular novel. But for the most part, an author should do these things for the money or for the love of the media product, and nothing else. There's no umbra or penumbra or coattail or other benefit to be had, maybe that you're making the publisher happy because the publishers keep seeming to think this kind of thing is so wonderful

With Elizabeth Moon's newest book KINGS OF THE NORTH now on sale and (knock wood) headed somewhere on the NY Times extended bestseller list, seems like a good time to send an anniversary musing this direction. Elizabeth was just starting to publish in Analog at around the same time I was starting at the Scott Meredith Agency. At Baen Books, where I'd done freelance work during college, publishing books by Analog authors was a kind of major sub-niche. And I was enjoying some of Elizabeth's early stories like "ABCs in Zero G" very much. And reading magazines and finding wonderful things and reaching out to authors was the kind of thing agents were supposed to do. So I asked the higher-ups at SMLA if it would be OK to reach out to Elizabeth Moon and ask if she had a novel. Did she ever! Rather to my surprise, since I was experiencing Elizabeth through excellent hard sf stories in the magazine full of hard sf stories, she had a completed fantasy trilogy around

Publishers Lunch links to the updated Borders closing list , with another 28 stores scheduled to close by the end of May, 12 of those stores that I have visited. As with the original list it includes stores of all shapes and sizes. Hollywood & Vine that did business but I doubt ever enough for the rent at that location. Milpitas CA which I will miss, because it was one of the nicest stores in the country for selling sf/fantasy on the day I visited. Fairfield CT, which I was surprised to see wasn't on the original list and which I'd visited on opening day and occasionally since as a quick on/off Metro North. Stamford CT is a somewhat historic site, as it had been put up by Waldenbooks prior to its purchase by Borders as part of their budding "Bassett Books" chain of superstores, the original location in Towson of Borders #44 that is now in Lutherville MD had been another. Braintree MA and Tacoma WA had both once been extremely prosperous, and I don't kn

Borders CEO Michael Edwards gave an interview to the Wall Street Journal and the company also had a conference call with creditors, which was covered by Publishers Weekly and Publishers Marketplace. The company will soon decide, based on discussions with landlords, on the fate of an additional 25 to 75 stores that may close. Publishers Marketplace does a good job of putting this into perspective. The 200 stores liquidating now were all drawn from the not quite 500 superstores so it was a full 40% in the initial round, and as few as 145 of those 500 stores were solidly profitable. That is a scary statistic. These articles differ on whether it not there will be a round of closings for the smaller format mall and airport stores. The company is getting supplied by major suppliers on a cash basis. It is begging for the major publishers to resume shipping on regular terms. Good thing to hope for. Costco will brag in its annual reports that it churns inventory so fast it is often getting paid

Oh, the nuclear power industry. We tried scrubbing, we tried soaking, and still we have ring around the collar. The interesting thing from a risk management standpoint is that the old-fangled coal and gas plants kill people bit by bit from their emissions and the costs of getting the coal or the gas out of the ground. Over the course of 20 years, do we lose more people 22 in this coal mine disaster and another 6 there vs. how many might die from radiation exposure as a result of the Japanese disasters? It's impossible to tally all that up, especially when you add in the externalities of emissions, etc. But we do know that these occasional nuclear power disasters are very big and very noticeable and very disastrous. Hence, there is a perfectly good argument to make that nuclear is still an important and necessary part of our energy portfolio moving forward. I don't want to be the person who tries to make that argument with a straight face, even though it is there and legi

Since we've just gone live with our own e-book editions of several of the books, a good subject for my next anniversary musing would be the Hot Blood anthologies and their siblings, edited by Jeff Gelb and Michael Garrett . I can't take credit for starting the series. That goes to Kurt Busiek , a noted comic book writer who made a brief stop at the Scott Meredith agency in the late 1980s. He sold the first book in the series to Claire Zion at Pocket Books, and I picked up after Kurt left. The history of the series is a good prism through which to view a lot of different aspects of the publishing business. 1. The importance of relationships. When I picked up the series and was selling my first books to Claire, I was thinking the books were doing well enough that the authors should get a little bit bigger advance. Claire, whom I hadn't done business with previously, automatically assumed that my request for a raise meant that I wanted to make a big splash with my first d