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Showing posts from February, 2017

Oscars: Made in America

12:23 AM: Actually, I do know what to say.  For a movie full of shots of people slowly coming into focus, it's only fitting that the Moonlight win for Best Picture was initially so cloudy.  Totally, 100% fitting. It summarizes the aesthetic of the film itself.  And, I still can't stop laughing. 12:13 AM: I have nothing more to say.  I look forward to reading about the final ten minutes of tonight's ceremony.  I don't know what to say. 12:04 AM:  And Dunaway looks spectacular. 12:03 AM:  Beatty and Dunaway.  A nice touch.  Drunaway also appeared twice in the ill-timed Rolex ad, in her role in Network. 12:01 AM:  The most special Oscars are the ones when I get to start typing an "AM" in for the live blog. 11:58 PM:  If wishes were fishes.  But while I enjoyed La La Land, I just don't really see this, even if everyone kind of said it's what would happen. 11:57 PM:  I don't want Emma Stone to win. 11:50 PM:  The Best Actor field was originally consider

Ready, Set, Oscar!

The Oscars are a little over an hour away, and I reckon I shall do that old-fashioned live blog things again, so that my thoughts do not need to be burped out 140 words at a time. Last year, I was passionate about the MIA Oscar for Straight Outta Compton, which was a great movie that was left looking for stray drops of wine in the discarded bottles from the Oscar party.  This year the feeling's a bit different, because I'm not a big fan of Moonlight, or at least the half of it that I endured before walking out.  And Moonlight is considered a lock to win the Adapted Screenplay award, and near to a lock for Supporting Actor. And the movie didn't do it for me. My one lasting impression is of repeated overly artsy shots of people emerging in the frame out of focus and then, belatedly, does the focus puller decide to actually start pulling the people into focus.  I wasn't engaged by the story. Moonlight isn't along in being a critical darling that I didn't cozy up to