BilmBlog500

I just had to do a quick write-up on the movie Goon. It's based on the biographical Goon: The True Story of an Unlikely Journey into Minor League Hockey,” by Doug Smith and Adam Frattasio. It opened on a couple screens in NYC this weekend. I took note of it after it got a kind review in this week's Village Voice, followed by another in Friday's New York Times. It's better and worse than Slap Shot, which is pretty good praise. Slap Shot had a star turn from Paul Newman but otherwise not much else going on in the cast. Goon has Liev Schreiber in a supporting role, stars Seann William Scott from the American Pie movies and others, it just has a little more going on when you take your eye off the brightest light. It's more violent than Slap Shot but not as profane. Considering that I don't think fighting is integral to the game of hockey, I should look down on the film, but it does just enough to show that the violence is in fact violence and fills its mome

"Paul D. Clement, representing Florida and 25 other states objecting to the health care law, responded that 'it's a very funny conception of liberty that forces somebody to purchase an insurance policy whether they want it or not.'" Quoted in a Washington Post article on Thursday on the final day of Supreme Court arguments about Obamacare. “I’m in good shape, I don’t eat meat, I don’t drink excessively, I’ve never smoked,” said Mr. Lodor, 53, who estimates he would have to spend at least $1,200 a month to cover himself and his college-age daughter. “The last thing I’m going to do is not pay my rent because I have to pay for some state-mandated health coverage that I don’t think I need.” Wayne Lodor, one of the (now only) 2% of Massachusets residents who do not have insurance under Romneycare, quoted in Wednesday's NY Times . I need to hire Paul D. Clement. New York State forces JABberwocky to buy Workmen's Compensation insurance for its employees. New Yor

Typically, when there's some hot new Broadway show where you need to buy tickets way far in advance and there are no discounts and etc., I wait. And wait, and wait, and wait. I live in New York City. Eventually in five years of fifteen years demand will drop. Tickets will be on TKTS. If I die before that happens -- well, if I'm dead, the fact that I missed a Broadway show will be the least of my worries. And it's New York, it's Broadway, you see the 12th replacement cast in the 9th year of the run, and odds are you're still going to see some pretty good stuff, The Phantom of the Opera is still chugging along well after Michael Crawford, you know. Charlaine Harris was in town this week to do a special pre-signing of books for select bookstore accounts. She wanted to see Jersey Boys and The Book of Mormon. A good agent would happily choose to take the client to Jersey Boys, cheaper tickets, and let the publisher take to The Book of Mormon, expensive tickets.

I don't have the tech savvy of E C Myers, who did this nifty little Acknowledgment Video for his debut novel Fair Coin, recently out from Pyr SF as part of their new YA line and well worth reading -- you can meet Mr. Myers at various events in the coming days as well. But after a busy and wonderful day of actually finally housewarming my apartment, I thought I should put a few thank you things out into the world... The biggest thanks in many ways have to go to my clients. Charlaine Harris, Sookie Stackhouse, and the True Blood folk kind of paid for the place, but I think it's a mistake to be too narrow in viewing the JABberwocky family. Because Charlaine wouldn't be a client today if it weren't for the general belief amongst authors in general that we do a good job for all of our clients, or maybe not a client today if back fifteen years ago when Charlaine Harris wasn't Charlaine Harris yet, but Arkham House and Elizabeth Moon and Simon Green were some of the ke

With both 24 and Friday Night Lights going off the air the past couple of years, two shows that were appointment viewing for me, I've been willing to cautiously explore finding replacements. Glee never quite cut it, too inconsistent. I've been trying Smash. The first three episodes were enh. The 4th episode the show seemed to have found its footing. The next two were OK, the 7th episode that aired this past Sunday was the best so far. I'm willing to keep going with it a bit, I'm a NYer and a theatregoer. But the show I've taken to wholeheartedly after watching a few episodes tonight is The Good Wife. I've heard a lot over the years about how good this is, and they are frequently filming at the courthouse across the street from my apartment (yes, New York City doubles for Chicago in The Good Wife). And a few minutes in to an episode I still had on the DVR from the end of January, I was totally hooked. What's not to like? The writing is excellent. Sharp c

This week, Random House unveiled, and I've now started to play around with, an "Author Portal." This allows authors to check up on their print and e-book sales for their books with Random House, pretty much in real time. It allows them to check on the subsidiary rights sales that Random House has made. It allows them to review their royalty statements. It gives all kinds of information which heretofore hasn't easily been available from the publisher. Some of it has been available only on semi-annual royalty statements with a considerable time lag. Some of it has been available in different ways on Bookscan. Some of it, like timely real time access to e-book sales, hasn't been available at all. Agents can check on all of their contracts with Random House. Sales information is broken down in different ways. You can check the total number of sales over the life of a title broken down by format (mass market, hardcover, electronic, etc.) or get a pretty good br