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Showing posts from February, 2012

Oscars 2012

11:47 PM Maybe a recap post to come, but for now, the live blog is shutting down. See you at the movies. 11:43 PM No real surprise in the Best Picture category. I wasn't a fan of The Artist, but I do want to give some respect out to Harvey Weinstein. A kind of kindred soul in this way. I have an eye for spotting talent for writing good books, and I'm always willing to stick in my two cents on how to make the good books better and hopefully into great. And that's Harvey. He knows how to find movies that can participate in the Oscar parade. His reputation as Harvey Scissorhands is not undeserved, I think here he may be a little more forceful and a little better able to have his way, in part because he actually cuts the checks while I can only promise a good effort to get people to cut them. And when it comes to Oscar campaigning, he knows what he's doing. He's got the kind of Oscar marketing machine that I try in a smaller way to apply to the foreign market

The Pre Oscar -- Best Picture

I don't know how Bryce Moore manages with two kids to find time for more movie reviews than I do, but it's time to at least say something in preparation for Sunday's Oscar ceremony! We have nine Best Picture nominees, I've seen all of them to some extent or another. Let's say I won't be rooting for Hugo.  I started to feel weary within ten or fifteen minutes of the film starting.  I eventually woke up, decided sleeping was to be preferred, and ended up walking out.  During the brief moments that I was awake, I could see that the movie was brilliantly made from a production design standpoint or a music standpoint or in any and many fashions you could say.  But the story was just boring, I didn't care about the kid, I didn't want to see a peon to motion picture history or preservation. I also left The Help.  I hadn't read the book, I read the first page or so and recoiled at the very thought of it.  Trying to watch the movie cold reminded me of what it

Do The Math

So what do e-books mean for John Taylor and his bride, Suzie? Penguin is selling an e-book of The Bride Wore Black Leather for $12.99, and the hardcover cover price is $25.95. These prices are not unusual. The typical royalty rate from a major publisher on an e-book is 25% of net receipts, and the typical publisher share of the e-book price is 70%. So 70% of $12.99 means around $9 going to the publisher, and around $2.25 going to the author. The typical author royalty rate for a hardcover with a big publisher is between 10 and 15%, we take the middle tier on that at 12.5%, and the author gets around $3.25. Hence, every time somebody trades from buying a hardcover of Bride Wore Black Leather to buying an e-book, the income to Simon Green drops from $3.25 to $2.25. This isn't good news, if you are Simon Green! HOWEVER... For A Hard Day's Knight, now in mass market, both the e-book and the paperback are $7.99. Let's do some more more math. Typical royalty of 8% on the paperb