BilmBlog500

In part 2 of the New 52 Weeks Later posts there were a lot of 0 issues worth talking about at some length.  Not so much in the third batch... Frankenstein: Agent of Shade started out scripted by Jeff Lemire as intriguingly weird thing, with some intriguingly weird art.  But it quickly got too weird and not near as intriguing, and soon had a new writer in Matt Kindt.  There's still some nice Alberto Ponticelli and Wayne Faucher art, and a script that's just a very prosaic origin that still leaves things weird.  I think I may bow out of this one, once and for all. Green Lantern: New Guardians #0 by Tony Bedard, Aaron Kuder and Andrei Bressan doesn't drown in continuity, it's half of a good comic book.  But eventually it harkens back to this thing that previously happened and that thing that previously happened and isn't very interesting to me.  So the 0 issues got me to give it a second try, but haven't converted me. Nor did Catwoman, which I skipped at the start

So this Looper movie that opened on Friday, it is indeed pretty good, and I'd highly recommend the JABberwocky client list, many/most of whom have an inner sf geek, go and see it. The barest bones of the concept:  we have time travel, since time travel is illegal only criminals travel in time, and criminals are sent back 30 years to be offed, in fact there are dedicated specialists who take care of that. Every once in a while, the specialist gets to "close the loop," kiling the 30-years-in-future version of himself that's just been sent 30 years into the future's past.  Yes, it's a time travel movie, so if this explanation is hard to follow don't blame me.  And specifically here, the future has a guy called "the rainmaker" who is taking over the mobs en masse, closing loops en masse, sending all his enemies back in time.  Joseph Gordon Levitt and Bruce Willis play the same dude, the +30 and the -30 versions.  Bruce Willis doesn't want his loo

Way back toward the dawn of Brillig, in fact it's hard for me to believe it's close to five years I've had the blog, I did a post called Audio Rules !, where I discussed how, in 2007, Audible essentially decreed that there should be science fiction and fantasy on audio, where previously there had been very little.  Looking back on it, this was just a few months before Amazon announced it was purchasing Audible, it's interesting to speculate on if the imminent purchase was a factor in that decision, or if it was an all-Audible thing.  Doesn't really matter, doesn't make the speculation less interesting. Since then, we've sold a ton of audio rights, whatever it was we were selling when I did that blog post in 2008 was kind of the tip of the iceberg.  As with all things like this in the content business, it's been interesting to see it play out. As an example, the Lost Fleet books have performed on audio well beyond any reasonable expectation.  I spoke in t

Continuing a series where we check in on DC's New 52 one year after its launch in the midst of their anniversary "0" issues.  The second batch I read gave lots to chew on and think about... Batwing was a pleasant surprise in DC's New 52, fresh hero and fresh setting and freshly written from Judd Winick with some very nice, clean art by Marcus To.  I don't think the totality of the first year has been up to the promise of the first issue.  We got a very attenuated origin that was interesting but which went on too long, a lot of information withheld mostly because, why do in two parts what you can do in four.  A lot of effort given to getting Batman involved because its a bat book, to fitting the Batwing square into the circular Night of the Owls.  But for all my disappointment that the series isn't as good as it maybe could have been, it's been good enough for me to keep buying it every month.  The 0 issue takes us back to that period of time between the &q

Once upon a time I was a very big Mets fan.  Over the years things have changed to where I am more a tennis fan than a baseball fan.  But I have enough residual Mets-loving in me that I was feeling the tug of Citi Field, where I'm not sure I've been since Opening Day.  The siren song got very loud indeed today.  A day game.  The last home game of the season.  Nice September weather, not as sunny as I'd have liked but sunny enough.  And R. A. Dickey going for his 20th win.  20 wins is a major milestone in baseball, enough of one for Dickey to have a chance at at being the first Met to reach it since 1990.  Enough of one that Dickey is a strong contender to win the NL Cy Young Award for the league's best pitcher.  In a Mets season that got off to an unexpectedly pleasant start which made the team's ultimate collapse that much more disappointing, Dickey's great season has been the one solace for a Met fan. So I took a long lunch.  It was lunch.  Just about the only

The first in a series of posts looking at the first year of the DC Comics New 52, which series have been making the grade, which of the September "0" issues I am liking, that sort of thing... Aquaman:  This is supposed to be one of the big successes of the New 52.  Not for me.  I buy an issue or two, it's a fight scene I don't care about with little text to read and not enough texture to the art for me to spend more than five minutes reading.  So I stop, then decide flipping through to give it another go.  Issue 12 was a "give another go.". And just good enough I want to buy another, just bad enough to do it without much enthusiasm.   Animal  Man:  I had been reading few DC superhero books before the New 52, the one I enjoyed most and which I was saddened to see disappear two summers ago was Jeff Lemire and Pier Gallo's Superboy.   Consolation, that Lemire's Animal Man has been one of my favorites in the New 52.  So far the New 52 has mostly done cro

I seem to be treading water at work right now, I didn't feel like I was getting that badly backed up during the weeks I was away from the office but now that I'm back it's like the needle on the in-box doesn't want to move. But at least I'm getting caught up on movies very efficiently.  There's nothing much better for that than having an 8:10 showing of one movie you want to see (Premium Rush) which runs for 1:31 with the same theatre providing a 9:45 of another move you want to see (Master) which meant there was around one coming attraction of down time between the two! Premium Rush was a lot of fun.  It opened quietly in August and hasn't done much box office, but it won't surprise me if it has a good moment on video.  It deserves to.  Joseph Gordon-Levitt is a bike messenger delivering an envelope that a lot of people want, so his life is going to get complicated.  Ours gets put on hold for 90 minutes, half of which is probably spent riding along with

Talk about weird, two movies today that both have Justin Long in them, and both directed by a Jamie. Not the same Jamie, but still, it's weird. Jamie Travis was the director of For a Good Time, Call... which opened quietly on a national but limited basis before Labor Day, and 10 Years, which opened on Friday, and is written directed by Jamie Linden. Of the two, 10 Years is clearly the better. It's an ensemble movie with a lot of talent playing nice together in small roles, along with Justin Long you've got Channing Tatum and Max Minghella and Rosario Dawson and Anthony Mackie and Scott Porter and Nia Vardalos and Mimi Rogers and Ari Gaynor (more coincidence, also in For a Good Time, Call..., ) more. It's about a high school's 10th reunion, picking up as the characters start to fly and drive their ways in that morning and then have the wee hours breakfast after. You can fill in a lot of the characters from that basic description. There's the drunk guy with a

I went to school at the University of Michigan, and I enjoyed six of my seven semesters plus one summer in Ann Arbor. Since there's decent train service from Chicago to Ann Arbor, I decided I'd add some vacation after WorldCon. And when I noticed there was a home football game the Saturday after WorldCon, I decided to make the stay in Ann Arbor even a day or two longer than maybe otherwise so I could go to my first Michigan home game since I graduated 27 years ago. So first, the train ride. The actual boarding areas in Chicago are even less pleasant than in New York's Penn Station, but with one difference that you can still sit in the grand hall waiting room. I purposely headed to Chicago's Union Station a few minutes early just so I would have time to sit there for a bit. And while the train won't win awards for one of America's most scenic train rides, they've done some improvements to the route and there are occasional places where the train may actu

I've had supporting memberships for World SF Conventions, WorldCons as they are known, dating back over 30 years. When I was just becoming an sf fan and devouring a goodly chunk of sf/f (Analog, Omni, Asimov's, the occasional F&SF, novel after novel) voting in the Hugos was a major temptation. Reading the progress reports and looking over the program books instilled a certain sense of community, of belonging to a larger community even though I was just a high school kid in a small town in New York City. Imagine how nice it is to have a job where I now get to attend WorldCon as part of it! And ChiCon, the 70th WorldCon, is the 18th I've actually attended. The experience of attending WorldCon as a pro is very different than the WorldCon I dreamed of 30 years ago, however. I get to be on panels, I don't so much get to attend them. This year, I thought all my panels were reasonably successful. The one on business advice for writers at 3pm on the first day of the c