BilmBlog500

I often tell people that the publishing industry has been dying for as long as I’ve been in the industry, on toward 25 years now.  Hence, the fact that it isn’t yet dead suggests that the impressions on any given day are not in fact correct. Today, lots of people are saying that the industry is dying on account of the e-book.  My own impression as we are most of the way through “royalty season,” is that the industry is clearly changing, and almost certainly not dying of e-book. There are incredible amounts of e-books selling right now, incredible. The growth over just a few short years is truly stunning. Simon Green’s Nightside books are now selling about as many copies in e-book as in print. Charlaine Harris’ Harper Connelly books are selling more in e-book. E-books now represent around 10% of her lifetime US sales of 20 million units even though they’ve only been around for a few years in her 30 year career. This is a good business to be in. For both authors and publishers. Aut

The 4th week of DC's New 52 was the one week when I was interested enough of the 13 issues to buy a full bundle at a 25% discount being offers by Midtown Comics.  This meant I was getting some comics i had no particular interest in, but I wasn't paying any more for them   So I guess it's no surprise that there are foru books that I just didn't like very much at all, and won't discuss at any length.  Those are Blackhawks #1, Justice League Dark #1, and Batman: The Dark Knight.  And I Vampire, which I don't remember if I'd actually wanted or not. I don't know what to say about my relationship with Jonah Hex.  I read this book for a good long time in my earlier comics days, maybe when Gerry Conway was writing it, but I bowed out of the new series that started several years back by Justin Gray and Jimmy Palmiotti.  I didn't dislike it, per se, but there was something missing that kept me from ever exactly warming to it.  Still, I wanted to see what they

Finishing my assorted purchases from weeks 2 and 3... Superboy #1 written by Scott Lobdell, art by R.B. Silva and Rob Lean I rather liked the Connor Kent Superboy character, and quite liked the recent run by Jeff Lemire and  Pier Gallo so having a new Superboy wasn't at the top of my wish list for the New 52. Perhaps just as well that this is a completely new take that can't be directly compared, and at least a mildly interest new take at that. As with Connor is a clone. There is a hint that as in the new Action the character might not be entirely saintly when he emerges into the real world. The art didn't do much for me, though I did like that the story takes full advantage of the art form with a visual cue that isn't commented upon at the time but which is picked up on a few pages later, requiring the reader to pay attention to both words and pictures. A modest success.  Deathstroke #1 written by Kyle Higgins, art by Joe Bennett and Art Thibert Terminator this, if you

Comments on half a dozen mixed titles from the 2nd and 3rd weeks, I think I want to carry the blogging project through in part to help me remember which books I want to buy second issues of, otherwise without writing it down I am an old man and forget things.  Red Hood and the Outlaws #1 written by Scott Lobdell, art by Kenneth Rocafort one and out here. This has a lot of the same ingredients as the relaunches I like, a little action and a little back story and a little "ooooh" cliffhanger menace stuff. But when the characters are talking about the All Caste, they may as well be talking about KAOS or SPECTRE for all I care. The depiction of Starfire/Koriander exemplifies the cheesiest pinup mentality that DC is taking some hits on. As a big fan of the 80s Titans reboot by Wolfman and Perez, I found it painful to watch this version slinking around like a centerfold. And Roy Harper and Jason Todd are not drawn with any eroticism. This was a "the ingredients are there"

When I started reading my selections from the first week of the New 52 at DC, with the earliest f these reviews done within days of the books appearing, before life started to get in the way, I had no idea just how many people would be doing series of posts on the subject. Having started in on week 1, I shall finish, too ,ate to even help guide selections on whether to pick up issue #2... #1, written by Paul Cornell,art by Miguel Sepulveda Very doubtful I return for a second issue here.  The stuff the story is made of is reasonably interesting.  Mysterious group of superheroes, looking for reluctant nee member. Something super weird strange is going on on the moon. Mysterious bad guy taking over member of team and from there he will take over the all of it. But at least for me it failed to cohere. It jumped around a lot. It assumed more knowledge of the group and if the characters than I think appropriate for the first issue of a reboot.  Any of the New 52 that I try, I did look thru t