BilmBlog500

As I get ready to head down to San Antonio for LoneStarCon 3, the World Science Fiction Convention, some reminiscences of LoneStarCon 2 in 1997... First and foremost, having WorldCons in Texas is good!  Both times in the life of JABberwocky that I've gone to San Antonio for a WorldCon, I have had a Hugo nominee on the ballot.  In 1997, it was Elizabeth Moon's Remnant Population for Best Novel, and this year Brandon Sanderson's The Emperor's Soul for Best Novella.  I have to confess I wasn't expecting a win in 1997.  The competition was amazing, with Kim Stanley Robinson winning and novels by Lois McMaster Bujold and Robert J. Sawyer as well as Bruce Sterling to split the Texas vote.  (Several years later when Elizabeth was a Nebula finalist for Speed of Dark, I was rather more optimistic and told her at breakfast the morning of that I felt she has as good a chance as anyone and better have a speech ready, which was good advice!)  I'm not as up on short fict...

I guess it's that time of year when we talk about the year that was... On the business end of things: When you're a literary agent, your work often comes ahead of the reward.  With the time lag between a book selling and the royalty reports coming along, a book that sells in January might not bring a royalty until November or with reserves against returns until the following May.  So in 2009 and 2010, we were getting paid for when there were 8 or 9 Sookie Stackhouse books on the bestseller lists in 2008 and 2009.  We were getting paid a lot.  It was also a bit like a one-legged stool, a bit unstable because so much of the income was coming in just a couple checks each year. In the years since, the business has become more stable.  The Charlaine Harris business is still huge, not as big as when there were 9 books on the bestseller list but still big.  Other authors have gotten bigger in the past few years, Brandon Sanderson or Peter Brett or Jack Campbell. ...

I've had supporting memberships for World SF Conventions, WorldCons as they are known, dating back over 30 years. When I was just becoming an sf fan and devouring a goodly chunk of sf/f (Analog, Omni, Asimov's, the occasional F&SF, novel after novel) voting in the Hugos was a major temptation. Reading the progress reports and looking over the program books instilled a certain sense of community, of belonging to a larger community even though I was just a high school kid in a small town in New York City. Imagine how nice it is to have a job where I now get to attend WorldCon as part of it! And ChiCon, the 70th WorldCon, is the 18th I've actually attended. The experience of attending WorldCon as a pro is very different than the WorldCon I dreamed of 30 years ago, however. I get to be on panels, I don't so much get to attend them. This year, I thought all my panels were reasonably successful. The one on business advice for writers at 3pm on the first day of the c...

A week or so ago, another agent I know, Andrew Zack, blogged about a negative experience he had with Bookscan .  A book he had on submission was rejected by at least one house because the author's prior sales on Bookscan were not very good.  This frustrated Andrew because the actual sales were much better than what the Bookscan numbers were saying.  There is nothing more frustrating to an agent than to have a book you like rejected for a not very good reason.  Here at JABberwocky we had a manuscript by Fred Durbin rejected by one house because marketing vetoed it even though everyone on the editorial side was enthusiastic, and I found this rather an odd thing to do because a chunk of the book had just been serialized in Cricket Magazine, which to me you'd think maybe the marketing people would think was a nice hook. I've known Andrew for a very long time.  He was one of the last young publishing up-and-comers to cut his teeth working for Donald I. Fine , and for some cat...