BilmBlog500

My reviews of some of the Oscar-nominated movies: Argo, Flight The Master Life of Pi, Anna Karenina, Beasts of the Southern Wild Skyfall Wreck-It Ralph Silver Linings Playbook Lincoln, The Impossible Django Unchained, Les Miz, Zero Dark Thirty Amour and No And my Live Blog of the Oscar Telecast: 12:20 am -- the telecast In recent years I've felt as if the Oscars were often a little bit perfunctory, checking boxes and doing what you do without any thought or passion.  There will never likely be the perfect Oscar telecast.  It can't redeem itself like the Grammys or the Tonys can with live performances.  I'm fairly certain the Academy will be respectful enough of the art of film that the awards nobody cares about will continue to be on the show.  There's only so much you can do and still do the show.  Within those limitations, I thought this year's broadcast was quite well done.  Like Argo, there were things the people making the show wanted to do, and for th...

Talk about weird, two movies today that both have Justin Long in them, and both directed by a Jamie. Not the same Jamie, but still, it's weird. Jamie Travis was the director of For a Good Time, Call... which opened quietly on a national but limited basis before Labor Day, and 10 Years, which opened on Friday, and is written directed by Jamie Linden. Of the two, 10 Years is clearly the better. It's an ensemble movie with a lot of talent playing nice together in small roles, along with Justin Long you've got Channing Tatum and Max Minghella and Rosario Dawson and Anthony Mackie and Scott Porter and Nia Vardalos and Mimi Rogers and Ari Gaynor (more coincidence, also in For a Good Time, Call..., ) more. It's about a high school's 10th reunion, picking up as the characters start to fly and drive their ways in that morning and then have the wee hours breakfast after. You can fill in a lot of the characters from that basic description. There's the drunk guy with a...

In the past six months, we've had three movies full of debris-ridden interstates, broken pavement, downed bridges, overturned shopping carts as symbol of dead nomadic humans. The first of those was Zombieland (seen in October 2009 at the Regal/UA Kaufman Astoria 14), which arrived during my blogging interregnum, and which I consider to be a thoroughgoing delight. If it wasn't written with its two leads in mind, it was certainly impeccaby cast with two actors who took full advantage of every opportunity the script had to give them. Woody Harrelson has had a very strong year ranging from his excellent deadpan laconic zombie killer here to the equally laconic but totally different soldier he plays in The Messenger . I'm not sure Jesse Eisenberg is yet capable of bringing life to an inert script; he certainly doesn'tmake Adventureland sing. But this young actor wasn't even 20 when he made Roger Dodger sing, barely old enough to drink when he delivered a performa...

Seen at Clearview's Chelsea Cinema, Auditorium #4, Saturday afternoon March 29, 2008. 3.5 Slithy Toads. This is the best movie of the year so far. Unfortunately, it has been difficult to read a review, good or bad, that reviews the movie on its own terms, divorced from its place in history following a string of (generally inferior) movies dealing with the Iraq war that have been box office disappointments. And also unfortunately, it seems to arrive at the moment when many critics have decided to drop grading these Iraq movies on a curve, giving plentiful extra points for worthy intentions, or even just for the bare bones of the subject matter, to things like In The Valley of Elah, which certainly had its share of negative reviews but also quite inexplicably managed to appear on many Top 10 lists. It's a double whammy, in which this really good movie is being victimized on multiple levels by the Critical Consensus, getting worse reviews than it deserves to compensate for films...