BilmBlog500

Midnight:  Spotlight. 11:57  I like Leonardo DiCaprio a lot, liked him from when I first saw him in Gilbert Grape a very very long time ago.  In Wolf of Wall St., in Titanic, in lots of movies.  I just wish he wasn't getting an Oscar for The Revenant. 11:53 PM I would happily see Michael Fassbender or Malcom's dad or Matt winning for Best Actor.  But this is not likely to end happily.  Steve Jobs was a great movie, and Fassbender's performance is a huge part of that. Matt Damon was too good, made it seem too easy!  Trumbo better for me than for most critics. 11:45 PM Best Actress is a depressing category for me.  Saw 45 Years, and not a fan.  And not a fan of Brooklyn, or of Carol.  Didn't see Joy.  So I guess I'll hope for Brie Larson to win, as she is touted to do. 11:38 PM Not a surprise, but I so wish something or someone else would have won for Best Director.  What can he do next year in his quest for Best Award Bait? ...

So having completed the live blogging for the Oscars, this is my Baker's Dozen best of 2013, in no particular order: World War Z: This is grading on a curve.  But basically, there are so many really shitty special effects spectaculars around these days that I feel an urge to give some recognition to a movie that's just a little bit different.  Also, since I keep asking authors to revise their manuscripts, it's nice to see something in the popular culture where revision works.  In particular, the ending of this major CGI-ridden summer spectacular release is quiet.  One setting, one main character, a place where small little things count, where the tension is real.  A place where the violence is earned, justified by the movie being what the movie is, and now entirely thrown in just because someone thinks it's fun to plow a starship into a building, or to destroy Manhattan for the 18th time and pretend like it isn't, like Superman didn't save Manhattan in Superman ...

A year ago this time I was leading the cheers for David Russell's Silver Linings Playbook. This year, I want to say clear as day that David Russell's American Hustle is a giant snow job of a good movie, and I cannot believe critics are falling for the hustle, I cared about the characters in Silver Linings Playbook.  It was old-fashioned at its heart and sweet at its core, and very well acted. I didn't care about a thing in American Hustle,  Christian Bale plays a two bit hustler whom I don't care about.  He runs a con with an FBI agent played by Bradley Cooper, whom I don't care about.  All the movie does is remind me constantly. of films like The Sting or Catch Me If You Can that do it better. There is the occasional pleasure.  De Niro is good and has a great moment.  Amy Adams is brilliant but too little seen.  But mostly, I was bored early and often. If you're looking for a cinematic snow job this winter, The Wolf of Wall Street would be your better...