Another agent has a guest post from a major account sales assistant at a major publishing house that talks about how books are sold to the major accounts, and promotions allocated. It's interesting. You can check it out here.
Fascinating stuff. I mean, the more I know about this industry, the better I feel. At least there will be *math* behind my book not showing up on the new release table. This time around. :-D
I decided to change my process for getting queries as I prepared for heading from 2022 into 2023. And here's an updated/revised version of my earlier blog post about querying. THE GUIDELINES: 1. If you don’t follow the guidelines, your query will be deleted, unread and without a response. 2. I'm now using Query Manager, a system that's generally been proven helpful to both agents and authors, and all queries should be submitted via https://querymanager.com/JoshuaBilmes. 3. Once upon a time, I asked only for the query letter, but it's been a long time since queries were sent in #10 business envelopes with an SASE. At this point, I'm not longer accepting paper queries, and I'm asking you to send ten sample pages with your Query Manager query. This will help speed things along, since I can more easily give a "yes" or "no" on borderline queries where the pages themselves are serving as tie-breaker, and I'm less likely to ask for a full m...
11: 24 PM Getting back to the In Memoriam section: I first remember seeing Maggie Smith in California Suite, a 1978 movie. That’s some fifty years ago. That’s a dang long time to be giving good performances in all sorts of movies. Dabney Coleman - Nine to Five. Classic. Dick Pope was the primary cinematographer for Mike Leigh, and had a forty year career. Any time you can bring it for that long, any time in this job you can have a relationship with a director where the director wants to use you over and over and over again over a very long period of time… Marshall Brickman worked on several of the best Woody Allen films. And his own movie Simon isn’t all that good, but the trip into Manhattan to see that movie over holiday break in 1980 is one of the keynote days in my coming of age as someone who really, really, really loved going to the movies. A movie at Cinema One, a movie at the Loews Astor Plaza with mind-blowing six track 70mm sound. A great day. Mar...
It’s an exciting year, with a lot of races that are still considered up in the air and an overall excellent list of nominees. Big picture, it’s hard for me to think of anything that’s a real complete gobsmacking snub, i.e., not just that a great something or other hasn’t been nominated, but that I can readily identify the nomination whose torch I’d blow out with a good explanation why. But for all the excitement and the buzz in the air, I’m frustrated and annoyed and peeved and something something something that there’s a strong sense that One Battle After Another is going to win Best Picture. It’s a good movie, sure. It’s on my top ten . But it isn’t even the best Warner Brothers picture of 2025. One Battle takes an awfully long time to find its footing, and it’s a good movie with some nifty stuff. In five or ten years I’ll be curious to see it again, kind of like how I’m kind of curious to see There Will be Blood. I’m thinking of the car chase scene. I’m ...
Fascinating stuff. I mean, the more I know about this industry, the better I feel. At least there will be *math* behind my book not showing up on the new release table. This time around. :-D
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